{"id":9533,"date":"2021-05-29T13:28:21","date_gmt":"2021-05-29T11:28:21","guid":{"rendered":"https:\/\/noodle-graphique.com\/?p=9533"},"modified":"2025-01-10T19:50:58","modified_gmt":"2025-01-10T18:50:58","slug":"9533","status":"publish","type":"post","link":"https:\/\/noodle-graphique.com\/index.php\/2021\/05\/29\/9533\/","title":{"rendered":"Blues de travail"},"content":{"rendered":"
XXX<\/span><\/span><\/h6>\n

Blues de travail<\/span><\/h1>\n
XXX<\/span><\/span><\/h6>\n

Une pi\u00e8ce d’art dessin\u00e9e par Delphine Mazur et brod\u00e9e par Noodle Graphique<\/a><\/b>(Work in progress).
\n<\/b>Broderie sur bleu de travail, d’apr\u00e8s les dessins pr\u00e9paratoires \u00e0 \u00ab\u00a0La Still Life day : de l\u2019aube \u00e0 l\u2019aube \u00bb ,
\ntriptyque dessin et ar\u00e9ographie, de Delphine Mazur et expos\u00e9 \u00e0 la biennale d’art contemporain Hybride 4 \u00ab\u00a0Ouvrir\u00a0\u00bb, du 26 juin au 29 ao\u00fbt \u00e0 Lens1<\/a>.
\n<\/b><\/p>\n

XXXXX<\/span><\/p>\n

XXX<\/span><\/p>\n

Delphine Mazur<\/a>, artiste plasticienne et directrice de l’\u00e9cole d’Arts Plastiques de Denain<\/a><\/span><\/h4>\n
\n

\u00ab\u00a0Ce qui m’apparait frappant dans mon premier contact avec le travail de Delphine Mazur c’est le rapport que son questionnement \u00e9labore entre la \u00ab\u00a0nature\u00a0\u00bb d’un c\u00f4t\u00e9 et l’\u0153uvre d’art d’un autre c\u00f4t\u00e9.<\/p>\n

L’\u0153uvre est un artifice, et en ce sens l’\u0153uvre se distingue du produit naturel. L’\u0153uvre est bien le fruit d’une activit\u00e9 consciente de l’esprit humain. Hegel dirait que le produit de l’homme est bien sup\u00e9rieur \u00e0 celui de la nature car en produisant l’homme pose devant lui son Esprit, cette vie \u00e9thique sociale et culturelle, alors que la nature n’est qu’une projection aveugle. C’est cette id\u00e9e g\u00e9niale selon laquelle en produisant je me produis en m\u00eame temps. C’est la distiction entre une \u00ab\u00a0Kultur\u00a0\u00bb (une transformation d’un mat\u00e9riau ext\u00e9rieur \u00e0 moi-m\u00eame) et une \u00ab\u00a0bildung\u00a0\u00bb ( une transformation du mat\u00e9riau qui produit en moi une m\u00e9tamorphose).En ce sens l’Art ne fait que confirmer la libert\u00e9 humaine et la sup\u00e9riorit\u00e9 de l’esprit sur la mati\u00e8re.
\nMais l’artifice peut-\u00eatre vu comme une arrogance de l’homme face \u00e0 la nature, la vanit\u00e9 du producteur qui voulait devenir Dieu en acc\u00e9dant au statut du cr\u00e9ateur. Cette promesse de la lib\u00e9ration de l’homme par les processus de cr\u00e9ation nous appara\u00eet douteuse aujourd’hui.
\nEn effet, la prolif\u00e9ration de l’objet de consommation , du gadget, et surtout ces productions qui semblent atteindre la nature elle m\u00eame dans son essence et la remettre en cause sans rien affirmer de positif en contre-partie ( le nucl\u00e9aire et l’atome, les transformations g\u00e9n\u00e9tiques).<\/p>\n

Nous sommes dans l’\u00e8re du d\u00e9chet, des d\u00e9trituts avec cette contre-partie incontournable : la question du recyclage.<\/strong><\/p>\n

La production ne lib\u00e8re plus l’homme (comme le promettait Hegel par exemple) le production le r\u00e9enferme dans une nouvelle ali\u00e9nation : la pollution, le risque \u00e9cologique. L’artifice devient non seulement artificiel mais mortel et pr\u00e9occupant. Nous ne pouvons plus produire nous devons \u00e9galement r\u00e9employer ce que nous produisons, pour ne plus simplement le jeter.<\/p>\n

R\u00e9volution m\u00e9taphysique et r\u00e9volution domestique : ma cuisine devient la premi\u00e8re \u00e9tape d’un processus de recyclage.<\/strong><\/p>\n

\u00a0D\u00e8s lors , une place est ouverte sur le champ plastique et esth\u00e9tique. L’objet n’est plus fig\u00e9 dans une seule utilisation. L’industrie avait montrer aux artistes que l’id\u00e9e de cr\u00e9ateur \u00e9tait absurde, l’\u00e9cologie montre \u00e0 l’art que l’id\u00e9e d’un objet mono-concevable est une idiotie. L’objet ne s’arr\u00eate plus \u00e0 son usage, il redevient mat\u00e9riau car recyclable. Un objet red\u00e9couvre la pluralit\u00e9 de ses existences; il devient ambigu\u00eb, m\u00e9tamorphosable.\u00a0\u00bb<\/p>\n

MATTHIEU BONNIN<\/span>\u00a0-Professeur de philosophie au Lyc\u00e9e Pierre Forest de Maubeuge<\/span><\/p>\n<\/blockquote>\n<\/div>\n

XXX<\/span><\/h3>\n
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ENVIE DE COLLABORER ?<\/span><\/h3>\n
\n

Pour toutes vos questions concernant nos services de broderie, contactez-nous !<\/a><\/span>
\nL’atelier Noodle Graphique sera ravi de collaborer avec vous.<\/span>
\n> D\u00e9couvrez nos collabs et r\u00e9alisations sur-mesure<\/a><\/span><\/strong><\/p>\n

\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

XXX Blues de travail XXX Une pi\u00e8ce d’art dessin\u00e9e par Delphine Mazur et brod\u00e9e par Noodle Graphique(Work in progress). Broderie sur bleu de travail, d’apr\u00e8s les dessins pr\u00e9paratoires \u00e0 \u00ab\u00a0La Still Life day : de l\u2019aube \u00e0 l\u2019aube \u00bb , triptyque dessin et ar\u00e9ographie, de Delphine Mazur et expos\u00e9 \u00e0 la biennale d’art contemporain Hybride […]<\/p>\n","protected":false},"author":1,"featured_media":9523,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[],"class_list":["post-9533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creation"],"yoast_head":"\nBlues de travail - Noodle Graphique<\/title>\n<meta name=\"description\" content=\"Blues de travail est une pi\u00e8ce d'art unique dessin\u00e9e par Delphine Mazur et brod\u00e9e par Noodle Graphique sur un bleu de travail.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/noodle-graphique.com\/index.php\/2021\/05\/29\/9533\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blues de travail - 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